As for my first club activity, it was a small group, all women, but their skill and dedication to authenticity floored me. That sample above, it's about 8 inches long on a piece of blue wool, a wyvern done entirely in stem stitch (there's a video below that teaches it to anyone who wants to learn). Watching these architects, real estate agents, and computer programmers gently copy images from old rune stones and ancient texts and bring them alive again was inspirational, link all of us around some card tables to women hundreds of years before us. My own stitches were clumsy, but empowering. But you know me, I get off on doing anything by hand that a machine usually does.
I showed them my humble crow sample, and they were all very polite about it, but drawing a crow on linen and filling it in with as many stitches needed to make it a solid, heavy, patch was a little crude for their taste. In the class I learned the chain stitch, stem stitch, satin stitch and the French knot. I worked on a small piece of linen in the circle, and then when I came home I got more ambitious. I took an image from the Book of Kells, a lion, and changed it into a wolf but kept the same vibe. I used the stitches I learned and while it's nowhere near as nice as their work (or even historically accurate) it is a nice way to learn a new craft.And it is addicting, like knitting, but maybe even moreso for me. I love making handmade things, even more personal, a little soul branding. Which for this farm girl, means Scottish wolves from old manuscripts. It takes all kinds, people.